Kilbernie, Wellington, October 2015
"There is a marginal point where I can stand here and it’s one picture or I can stand there and it’s a different picture. And this decision, of what is the meaning of what’s in the rectangle is entirely my decision. It sounds wrong, because I didn’t create the landscape, but that decision so drastically alters the meaning that the weight of the decision becomes very interesting."
"The Whiteness of the Whale: ...one of the great challenges of making interesting work is to keep moving, to keep making new work that is different. If you’re not Daido Moriyama, don’t make work that looks like Moriyama’s. If you’re not Lucas Blalock, why bother copying him? And if you’re not Garry Winogrand, maybe keep your Leica in your pants for now. Because if you don’t, there is the danger you might end up becoming a caricature of yourself, a human Xerox machine chugging out pictures that become ever-fainter shadows of the originals. There are too many pictures made that look like other people’s pictures. "